Feedback solution for the
Jazz Guitar Industry
www.dougsplugs.com

 

 

Home

Before and After

How Doug's Plugs Work

Testimonials

Ordering Info

Order Online Now

Jazz Improv Review

         Testimonials     

[Jazz Improv Review]

Below are testimonials of players that have Doug's Plugs on their guitars.
[suppresses archtop feedback - M.K.]  [simply unbelievable...great product - A.K.]
[best feedback solution ever - G.D.]
[facing drums...no feedback whatsoever - N.T.]  [recommend for any archtop player - J.C.]
[upright bass...utterly eliminated all boom - W.H.]
 

Lawson Stone: "I might say it started with the day he saw my beautiful Heritage Golden Eagle with the blonde finish, with strips of packing foam jammed into the f-holes.  He was appalled at the total destruction of the guitar's appearance, and upon purchasing an L5 for himself, got involved in finding a simple, elegant, effective and attractive way to deal with archtop feedback.

Doug has been urged to charge as much as $100 for his f-hole plugs, but he's a stand-up guy who doesn't want to gouge folks.  Every set is made by hand, and because every guitar's f-holes are slightly different, he does warn that  some hand-fitting is needed.  The material is very, very easy to handle, though, and an emory board is all that you need.

Doug has created a genuinely helpful and effective product, which he wants to price reasonably so we can all have it. Why spend, in some cases,thousands on an archtop and then ram packing foam in the f-holes?"

  [back to top]
 

 
Mark Kleinhaut:
 

"Not long ago, Lawson Stone introduced me (via email) to a gentleman in Kentucky by the name of Doug Turner who has come up with a very elegant and effective design for f-hole plugs/covers.  If anyone seeks to suppress feedback of their archtop, read on.

I made a tracing of my f-holes and sent it off to Doug and a few weeks later  a featherweight box came to my doorstep.  It took me just about an hour to sand and file with an emory board to do the final fitting and to get  those puppies to set right in there.  The floating pickup and pickguard was a little challenging, but what I did was to cut off the last quarter of the lower cover and notch out the tip for the wire to pass through.  I put this quarter of a cover in and then re-installed the pickguard right back over  it.  The pots snug up against the cover- a perfect fit, and with the covers not installed, that quarter of a cover is not even visible.

Very cool, from five feet away you are hard pressed to discern that they are even there.  I asked my drummer and bassist to look at my guitar and tell me if they could see anything different.  First they said new tailpiece? new pickup?  And finally, OH!!!  They are nearly invisible!

These things do an amazing job- 1000% better than balloons or other foam stuffing I've tried.  I think the secret is that they make an airtight seal which prevents the room sound from getting inside the guitar in the first place.  So, you wind up with the equivalent of a soundhole-less instrument, and man, it sure works!

There are still a couple of minor hot spots, but these only show up when really cranking much louder than I think I'll need to go, ever.  And these can still be controlled with muting just as I was controlling the feedback before, but now it's so much easier.  The best part is with more volume headroom, I can use a darker tone with no problem and I don't have to pick as hard to cut through- so the dynamic range is much improved as well."

 [back to top]
 
 
Anil Kumar
Dublin, Ireland:
"First off, in just home practice, they are simply unbelievable, I can play at any volume using my normal Fender Hot Rod DeVille 2x12 (this one is super loud !!)  or bassman reissue (this really feeds back due to the bassy response of the 4 x 10"  Jensens).  Live on my first function gig was a dream; no setups, no pointing the amp this way or that, simply plug in, set the volume at 5 (Very Loud!!) and use the PU  volume to balance up with the rest of the band.  Truly an excellent product.  You've  removed about 50% of the grief from using my jazz box live. .... they are a steal at $60.  Nothing I have ever bought cost so little and did so much for my playing."
 [back to top]
 
 
Geoff Dresser
Ontario, Canada:
"My guitar will start feeding back on G (5th fret, 4th string or 10th fret, 5th string) and [with the plugs] I had to crank my amp much louder than I play in typical gig situations (with a drummer) before I could see that problem.  I've tried the balloon thing and stuffing my guitar with foam, neither of which worked.  Another thing,  I've taken the guitar to 3 gigs and a rehearsal and nobody has  noticed them in the guitar. This is the best feedback solution I've ever come across."

[back to top]
 

 
Napoleon Tabion:
 

"Recently I've been subbing for a buddy of mine who plays guitar in a classic Chicago blues band.  Unfortunately, my trusty Stratocaster was in the shop getting a fret job, so I ended up having to use my DeVoe archtop (admittedly a nice problem to have).  While this guitar is a players dream, it is a seven string carved top and is prone to feedback at very high volumes.  Due to the Cramped rehearsal space I found myself playing FACING the drums, a bass rig, and two massive Marshall amps.  I was also flanked by a harmonica player going through an amp with a 4 x 10 cabinet, a keyboard player, and a vocalist.  This is one LOUD band - loud enough that the singer had to be careful positioning her mic as it kept feeding back all evening if she turned one way or another.  I was pretty much resigned to the fact that feedback from my guitar was inevitable.  However after popping in the Doug's Plugs and cranking my amp, I had no feedback whatsoever.  NONE.  For kicks I even used the low "A" (seventh string) usually a surefire way to produce feedback at ear-bleed volumes.  Again, no feedback.  I've used the plugs before in a setting with a loud band and the plugs worked flawlessly.  But standing face to face with a loud drummer, bass rig, and two Marshalls in the cramped quarters of a rehearsal space?  I thought they would limit the feedback, not eliminate it completely!  Thanks again for your product.  It really saved the day for me!"

[back to top]
 

 
Joe Campbell: "I have installed your plugs into my ES-165 and they work just great.  My feedback problems are over.  Not only do they work well but they fit in perfect and I did not have to do any work at all to make them fit.  I highly recommend your plugs for any archtop player.  I will be passing out your cards to the local music dealers in my area and other guitar players here in Southern California.  Your service to me was great and you have a great product.  It is a real bargain for us guitar players that play archtops.  Thanks again."

[back to top]
 

 
Wil Hendricks:

 

Note: Upright bass plugs are $75/pair because they require more materials and take longer to make.  Please contact Doug for more information.  Thanks!

"I contacted Doug to find out if he could make me a set of plugs for my upright bass -- I generally play without an amplifier, but I play in some venues where the house volume alone creates so much feedback through my bass that I often have difficulty hearing even what notes I'm playing, let alone being able to control my sustain before it becomes a huge feedback loop.
                     
The day I put Doug's plugs on, it was just night-and-day -- after an endless parade of combinations of DI's, EQ's, different pickups, trying to rotate the bass, etc. -- after all of that,  I instantly had the tight, focused response from my wing pickup that I'd been missing for literally years.  The plugs just utterly eliminated all of the boom that was creeping back into my signal through the upright body, and turned my bass back into an instrument again, instead of being a giant microphone.

I can't recommend Doug highly enough -- if his plugs can do this for a huge upright bass,  I can only imagine how well they work with the relatively smaller and narrow-bodied archtop guitar.

[back to top]  

 

 

Copyright © 2006-09 : Doug's Plugs : Lexington, KY : All Rights Reserved    |20090709|



























 

Relevant research terms: acoustic electric guitar, acoustic guitar, acoustic feedback, acoustic guitar feedback, acoustic jazz guitar feedback, amplifier guitar jazz, amps guitar jazz, archtop guitar jazz, blues guitar jazz, bust feedback, comping guitar jazz, control feedback, control guitar feedback, control jazz guitar feedback, custom f hole covers, custom feedback cover, custom fhole covers, custom f-hole covers, doug turner, dougs plugs, doug's plugs, dougsplugs, dougsplugs.com, electric guitar, electric jazz guitar, eliminate feedback, eliminating feedback, eliminating guitar feedback, f hole covers, f hole plugs, feedback, feedback buster, feedback control, feedback cover, feedback problem, feedback while performing, fhole covers, f-hole covers, f-hole plugs, fhole plugs, foam rubber f-hole, foam rubber guitar, forum guitar jazz, guitar, guitar amp, guitar amplifier, guitar feedback control, guitar feedback cover, guitar feedback problem, guitar jazz music, guitar jazz pick, guitar jazz play, guitar jazz smooth, guitar jazz solo, guitar jazz string, guitar jazz technique, guitar jazz tone, guitar part, guitar pick, guitar player, guitar sound, guitar sound hole cover, guitar string, guitar tuning, hand made f hole covers, hand made fhole covers, hand made f-hole covers, inflated balloon guitar, jack grassel, jazz feedback, jazz guitar, jazz guitar feedback, jazz guitar feedback control, jazz guitar feedback cover, jazz guitar sound, jazz guitar sound hole cover, jazz quitar feedback problem, loud band volume, loud stage volume, on-stage feedback, performance feedback, playing guitar, plug f holes, plug fholes, plug f-holes, prevent acoustic feedback, prevent feedback, prevent guitar feedback, prevent jazz guitar feedback, guitar feedback, sound hole cover, stage feedback, stop acoustic feedback, stop feedback, stop guitar feedback, stop jazz guitar feedback, tape on f holes, tape on fholes, tape on f-holes